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Adrian Button

Dec 2, 2016   //   by Michael Stevenson   //   News  //  No Comments

adey

It is with great sadness that we have to report the passing of one of the directors and founding members of the Gate to Southwell Festival,

Adrian Button, ‘Adey’ was well known and respected on the local roots music circuit, and a passionate, enthusiastic and talented musician. His favourite form of music was probably Irish, but his eclecticism knew no bounds! He was also a great spotter of talent, being the first to pick up on several acts who we subsequently booked, the Henry Girls being just one example. As well as being part of the artist selection committee, Adey also organised the concessions and was immensely popular with the traders.

We offer our sincere condolences to all his family.
He will be sorely missed.

KATE RUSBY AND JON BODEN TO STAR AT GATE TO SOUTHWELL 2017

Oct 17, 2016   //   by Michael Stevenson   //   News  //  No Comments

Early Bird tickets are now on sale for 2017 at a discount of 20% on tier 3 tickets. When Early

British folk heroine Kate Rusby and former Bellowhead frontman Jon Boden are among the first headline acts announced to appear at the Gate To Southwell Festival next June, and reduced price tickets are now available.

Widely regarded as “the first lady of English folk music”, Kate Rusby is famous for her Mercury-nominated debut ‘Sleepless’, her acclaimed collection ‘The Girl Who Couldn’t Fly’ and her Xmas album ‘Sweet Bells’.  From Penistone, near Barnsley, Kate’s latest album ‘Life In A Paper Boat’ has just been released.

Jon Boden is one of the most charismatic singers, composers, arrangers, fiddlers and multi-instrumentalists on the acoustic and roots music scene.  Having fronted Bellowhead for 10 years, Jon is also well known for his work with John Spiers, his band The Remnant Kings and also Eliza Carthy’s Ratcatchers.

Also lined up for Britain’s most eclectic acoustic and roots music events, there’s internationally-renowned Canadian acts such as Le Vent Du Nord (who were a huge hit at the 2012 festival) and the East Pointers from Prince Edward Island, plus acclaimed Californian ukulele band the Ooks Of Hazzard (among the highlights of 2016 with their wonderful cover of Radiohead’s ‘Creep’) and popular English husband-and-wife folk duo Megson.

Further adding to the diverse magic of the festival, which runs from June 8th to 12th 2017, the immensely entertaining and danceable Mallorcan World music band BOC make a welcome return, having played their first gig outside Spain at Gate To Southwell back in 2015.

Following the great success of this year’s on-stage gathering to mark Bob Dylan’s 75th birthday – described as “one of those never to be forgotten festival events” by Folk Radio UK – Jim Moray will return to curate a flower-powered 50th anniversary celebration of 1967’s Summer Of Love, the original blooming of the American underground hippy movement.

If all this is not enough for roots music hungry fans, Gate To Southwell has also booked legendary American folk blues artist Chris Smither and the wittily-named Whitley Bay female collective She Shanties. These are just the first of over 50 artists booked for 2017 with negotiations underway to book more major acts soon.

Set in a superb rural site close to the lovely market town of Southwell in Nottinghamshire, the eleventh festival will showcase a mix of international acoustic and roots artists alongside local and up and coming talent, performing across four main undercover stages.  With music workshops, dance displays and ceilidhs, street theatre and kids’ entertainment, great food outlets and a beer and cider festival, the Gate To Southwell 2017 is definitely a date for the diary.  June 8th to 12th.

Advance tickets are on sale now via the website –  www.gtsf.uk

HARD RAIN’S A-GONNA FALL

Jun 23, 2016   //   by Michael Stevenson   //   News  //  No Comments

HARD RAIN’S A-GONNA FALL – Saturday review by Len Brown

There have been many great moments at the Gate To Southwell Festival over the years but surely Saturday’s all-star teatime 75th birthday tribute to Bob Dylan was up there with the very best. With a top notch house band organized by Jim Moray of False Lights, most of the key players over the weekend took the stage to pay tribute to the Mozart of the Twentieth Century. Among them were Phil Beer and Steve Knightley of Show Of Hands (who contributed a fine version of ‘Senor’ from ‘Street Legal’) plus Meaghan Blanchard, The Henry Girls, Mick Ryan & Paul Downes, The Ooks Of Hazzard and Jackie Oates on classic tracks such as ‘It Ain’t Me Babe’ and ‘Blowing In The Wind’. A definite highlight was the Pete Morton-led ‘Like A Rolling Stone’, which galvanized festival goers into a suitably gruff, grizzled yet uplifting Bobcat singalong.

If Friday night had been a Southwell-style string-driven showcase of North American musicianship and showmanship (starring Blanchard, Ooks and Hayseed Dixies), Saturday seemed to be much more of a traditionally rain-soaked English love affair with roots music. Fresh from supporting the dearly departed Bellowhead, and proudly promoting their upcoming ‘The Ties That Bind’ collection, Mawkin remain one of the most talented live acts on the Brit Folk scene. Led by brothers Jamie and David Delarre, they warmed the damp crowd in the early evening Big Top with an upbeat mix of medieval music and gypsy jazz through to their entertaining 21st century celebration of inebriation, ‘Jolly Well Drunk’.

Formerly of the Unthanks and The Imagined Village, Jackie Oates last played Southwell back in 2009. So there was a really warm welcome for her, particularly following motherhood, her various BBC Folk Awards successes and the universal acclaim for her beautiful ‘The Spyglass & The Herringbone’ CD. Ten years on from her first solo album, she has onstage warmth and an easy presence, plus the rare ability to unite staunch traditional and more contemporary folk audiences with her perfect spring and summer vocals and fiddle playing.

Headlining the Big Top, Show Of Hands followed on perfectly from the Jackie Oates Trio, confirming their position as the most important English acoustic band on the festival circuit. With their latest ‘The Long Way Home’ recording and tracks like ‘The Gamekeeper’ they’ve returned to classic themes of love and loss, of war and exile, and their commemoration of the centenary of the Battle Of The Somme seemed poetically appropriate while the rain fell hard and the mud grew deep. While Steve Knightly remains one of the strongest front men and most affecting vocalists on the roots music scene, it increasingly feels as if Phil Beer should now be protected as a national treasure. Mourning Dave Swarbrick’s recent death, Beer is surely the finest fiddler South of the Scottish border.

Former Cornish buskers Flats & Sharps won many new fans with their good-looking brand of banjo-driven Bluegrass, fine vocals, and sharp Western gamblers-style suits and haircuts. Their ‘King Of My Mind’ CD is among the best of 2016 so far and ‘My Life’ perfectly represents their harmonic charms. But the musical finery on display stretched well beyond the main stage, with Northumbrian rising stars Gilded Thieves – who’ve been described as “a bespoke banquet of alt-folk” – beautifully led by vocalist Laura Alexa Jackets. Their biblical country song ‘Oh Sinner’ was one of the festival highlights.

Added to all this, on the outside dancefloor in the afternoon there was an incredibly diverse mix of dance sides such as the Koyuki Tribal Belly Dancers, the Convoy Irish Dance Company and the Kitchen Taps Appalachians, not to mention the other dozen or so colourful rappers and morrismen and women who’d graced the streets and pubs of Southwell en route to the festival.

Honorable musical mentions too for Isembard’s Wheel from Sheffield, one of the hits of the Barleycorn Stage, who looked remarkably clean-shaven for roots musicians and delivered poetic lyrics and contemporary folk sounds with the sartorial elegance of jolly highwaymen. And then there was Echo Town, arguably the most inventive and experimental double act appearing at Gate To Southwell 2016. Two brothers from Cornwall, they create a mesmerizing rhythmic soundscape in which folk and roots meet rock blues and reggae, often played on intense percussion, slide guitar and didgeridoos. In fact, one of the most memorable sights of Gate To Southwell 2016 was of several inebriated off-duty Morris dancers improvising like crazy to the late night Echo Town sound.

Never mind the weather, with so many workshops, great food, drink and craft stalls, plus fantastic kids entertainment from Dan The Hat, Johnny & The Raindrops and the ubiquitously funny Keith Donnelly, it often felt like there was too much going in this most eclectic circus.

ANARCHY IN THE UKELELES

Jun 15, 2016   //   by Michael Stevenson   //   News  //  No Comments

After the tropical heat, fireworks and musical riches of Thursday night, the heavens above Nottinghamshire opened on Friday. A torrential downpour at high noon threatened the existence of the festival as both the Big Top and the New Stage suffered from flooding. Thankfully, several hours of great ground work by Mike Kirrage’s site crew (led by Simon Walker) of stewards plus lighting and sound staff managed to save the day. It was, literally, all hands to the pump before normal festival service was resumed by early evening.

As always, there was a tremendous variety of music across all four smaller tents, including the warmly upbeat singalong songs of Pete Morton, the Canadian traditional sounds of Vishten and the a-capella harmonies of The Teacups on the Folk Stage. In the Barleycorn, there was rising folk star and former Nottingham student Bella Gafney, who also performed with Bric-a-Brac, while on the flood-defying New Stage there were waves of exotic and extremely danceable sounds such as the gypsy jazz of Maniere Des Bohemiens, the thoroughly funky Cheshire & The Cat and the mad Balkan party ska-meets-swing of Mr Tea & The Minions.

But it was primarily an evening of excellent North American music in Southwell’s Big Top. Charismatic and confessional, the young Canadian country singer Meaghan Blanchard drew us into her solo songs that openly struggled to make sense of this world. All the way from Prince Edward Island, looking like a pre-Raphaelite painting come to life, she tackled failed relationships on tracks like ‘Broken Pieces’ and ‘Cry Cry Cry’ and she spoke warmly of her grandmother’s words of wisdom: there are only two kinds of people – movers & shakers and those who sit listening to sad country songs.

Then came to magnificent Ooks Of Hazzard, fronted by four fine ukulele masters who all looked like extras from that appropriately dark drama True Detective. Internationally famous for their great cover of MGMT’s ‘Kids” and string-driven interpretations of Led Zep and Lynryd Skynyrd, it was their brilliant version of Radiohead’s ‘Creep’ that stole the show tonight. (Their ‘Redneck Mother’ would come pretty close the following lunchtime!)

But Hayseed Dixie are hard to beat as a headline act. Whereas the Ooks are seated, look almost dignified (albeit in an outlaw-ish sort of way) and have the sardonic drawls of Southern gentlemen, the Hayseeds are as wild and frenzied as a box of mad Appalachian frogs. Never have eyes bulged so much or tongues been stuck out so often and so lewdly on a Southwell stage. Hilarious but slightly scary, their crazy repertoire, always played at breakneck speed, drifted from takes on Survivor’s ‘Eye Of The Tiger’ and Bob Marley’s ‘Redemption Song’ through to a fantastic badlands bluegrass version of Motorhead’s ‘Ace Of Spades’.

After the heavy rain had left the festival site distinctly moist and muddy, it seemed entirely appropriate that the Ooks Of Hazzard and Hayseed Dixie managed to transport us all to the sweaty swamps of the Southern States.

Len Brown

Review of Thursday night

Jun 11, 2016   //   by Michael Stevenson   //   News  //  No Comments

TENTH GATE TO SOUTHWELL OPENING NIGHT 

THERE WAS A brilliant start to the tenth Gate To Southwell Festival; the opening night was lit up by a great firework display and an array of fine Irish, Scottish, Latin and local musicians.

Kicking off in the Barleycorn tent, Mansfield’s Jake Burns delivered a sweet-voiced selection of self-composed tracks and cover versions.  His ‘California Bound’ EP harks back to the great singer-songwriters of the Sixites and his singing and guitar skills clearly chime with influences such as Simon & Garfunkel, Joni Mitchell and Ralph McTell.

On the Arts Council-funded New Stage – offering a less folksy, more open minded approach to acoustic and roots music – the early evening mood drifted from the multi-instrumental, gypsy-classical, salon sounds of The BeauBowBelles to the Glaswegian Americana of James Edwyn & The Borrowed Band.  James Edwyn is a grizzly bear of a man with a very impressive beard, and his warm personality combined with the band’s alt-country sounds should surely guarantee far greater stages than Southwell in the future.

In the main tent, the folk rock revivalists and rejuvenators False Lights gave way to the impressive Irish-meets-World-Music of Kila.  Eight strong and playing an extraordinary array of traditional instruments to create a mesmerizing sound, their Irish roots music builds in trancelike rhythms.  A powerful and memorable performance, particularly after a few beers and ciders!

Elsewhere, Nottingham’s own lovable café blues/jazz chanteuse Tiger delivered a mature and beautiful set of her own love-and-loss songs, ably assisted by guitarist Milk.  She also threw in great covers of George Michael and Johnny Cash to confirm her versatility.  Eighteen years old and definitely going places.

The same should be said of local lads Same Streets who definitely shook up the New Stage.   Their youthful and fresh rock & roll music is both exciting and invigorating.  They look right, feel right and sound right; their own songs, delivered with passion by James Gooch and fired along by Seb McNish the drummer boy, sit comfortably alongside an excellent cover of the Velvets ‘Waiting For My Man’.

Bringing this magnificently eclectic first night to a finale, The Full Attack Band’s performance seemed to sum up Gate To Southwell’s booking policy perfectly.  Refusing to accept any musical boundaries or borders, their Latin fusion of World, Jazz, Funk and even Afro-beat inspired some late night frenzied dancing.  Led by the charismatic sax player Alejandro Toledo with exotic Asian singer, rapper and poet Fedzilla alongside him, the Full Attack Band could be one of the great successes on the festival circuit this summer.

All-in-all, this was a sparkling start to the tenth Gate To Southwell with three more days and nights of fine music and family entertainment to come in beautiful rural Nottinghamshire surroundings.

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New addition – Ritchie Parrish Ritchie

Jun 7, 2016   //   by Michael Stevenson   //   News  //  No Comments

Great new late night show confirmed for RPR, the brilliant rhythm section of the renowned, Tanglefoot – Canada’s biggest folk-roots export. Now Rob Ritchie, Al Parrish and Steve Ritchie, along with percussionist/ singer/ songwriter Beaker Granger, have re-connected and are coming our way.
The new configuration affords the four veteran performers the opportunity to stretch their wings and create a rich and memorable interfusion of music, stories, laughter and reminiscence. It’s light and shade, irreverent and poignant, gentle as a whisper and rampantly energetic. See them on Friday 10th closing the Folk Stage at 11.30pm……
RPR

Young Talent at Gate to Southwell 2016

Jun 3, 2016   //   by Michael Stevenson   //   News  //  No Comments

It’s the tenth anniversary of the Gate To Southwell Festival next week (from Thursday June 9th to Sunday June 12th) and, to celebrate this great East Midlands music occasion, plenty of talented young local artists will be given the opportunity to shine alongside international stars.

Attracting musicians from as far a field as Canada and the USA, and with headline acts such as Appalachian hillbilly heroes Hayseed Dixie (Friday), the great English roots band Show Of Hands (Saturday) and legendary Scottish vocalist Eddi Reader (Sunday), the Gate To Southwell Festival will get off to an explosive start with a firework party and the launch of a new Arts Council-backed “alternative” stage.

The opening night party on Thursday 9th features one of Ireland’s greatest traditional folk acts Kila headlining the main stage alongside Jim Moray and Sam Carter’s new band False Lights. Plus, the alternative stage will feature diverse acts such as the Latin passion of Alejandro Toledo’s Full Attack Band and Glaswegian alt-country stars James Edwyn & The Borrowed Band.

Also on the bill are Nottingham’s highly-rated rising indie sons Same Streets – an exciting four-piece rock & roll band featuring young musicians from Arnold, Beeston, Long Eaton and Southwell.  With James Gooch on guitar and vocals, Jacob Harris on guitar, Isaac Bloomfield on bass and backing vocals and Seb McNish on drums, Same Streets have already supported The Enemy at Rock City and had their music played by Huw Stevens on Radio One.   They’ve also guested alongside established bands such as Red Faces, Rifles, Sherlocks and Fronteers, and their growing reputation on the circuit for incendiary performances has made them a band to look out for this year.

“Our main influences include the Rolling Stones, Iggy & The Stooges, the Las and David Bowie,” says drummer Seb McNish.  “We’ve got a great summer ahead of us.  There’re a few festivals including Southwell, Dot To Dot and the Isle of Wight.”

Another youthful local act appearing at the festival for the first time is upcoming singer-songwriter Jake Burns.  Originally from Mansfield but now living in Burton Joyce, Jake’s debut EP ‘California Bound’ has received great praise from critics and plenty of radio play.  Its lyrics name-check many of his American inspirations and influences, including Joni Mitchell, James Taylor and David Crosby.

“I think I own every Simon & Garfunkel record there is,” admits Jake, “and I still find myself listening to them from time to time.  Paul Simon was and still is my musical hero but I also listen a lot to Conor Oberst and Crowded House at the moment.”

Also appearing at next week’s festival, there’s highly-acclaimed sweet-voiced Nottingham singer-songwriter Tiger.  Recently turned eighteen, she supported Canadian band The East Pointers in Southwell earlier this year and also delivered an impressive showcase at Rough Trade Records.  Self-penned tracks such as ‘Contender’ and ‘Let Me Hold You’ also earned her a slot on the BBC Introducing East Midlands show.

Added to this array of local talent, there’s also Cheshire And The Cat, the seven piece Future Sound of Nottingham finalists who’ve previously played Glastonbury, Dot To Dot and Soundwave in Croatia.  Over the past few years, they’ve built a reputation mixing soul and funk with breaks of reggae and rock. With new material in the pipeline and a whole new repertoire of songs, 2016 will see the Cats step up to an even higher level.

Last but not least, one of Nottingham’s most exotic sounding and best-loved acts, Maniere Des Bohemians, return to play Gate To Southwell with their hot brand of Django Reinhardt-inspired and Stephane Grappelli-influenced Gypsy Jazz and Eastern European swing.

With five different music stages, great family entertainment, plus the usual fine mix of food and drink tents, a craft fair, a beer and cider festival plus pub sessions in town, the tenth Gate To Southwell is guaranteed to be an unmissable Midlands event.

For more details visit the website – www.gtsf.org

Dylan 75th Birthday Tribute Concert

May 24, 2016   //   by Michael Stevenson   //   News  //  No Comments

 

dylan 75 for fb

Bob Dylan has just celebrated his 75th birthday (May 24th 2016) and, fashionably late, there’ll be a special tribute concert at the upcoming 10th Gate To Southwell Festival on Saturday June 11th.

Backed by a fantastic festival band, led by Jim Moray of False Lights, there’ll be special guest performances of Dylan classics by Steve Knightley, Jackie Oates, The Henry Girls, Canada’s Meaghan Blanchard, California’s Ooks Of Hazzard plus Mick Ryan & Paul Downes and Pete Morton.

The festival, at Southwell racecourse in Nottinghamshire, kicks off on Thursday June 9th with a special firework party, Irish folk headliners Kila and False Lights on the main stage, plus the launch of the Arts Council-backed alternative stage featuring Glasgow’s James Edwyn & The Borrowed Band, Nottingham’s Same Streets and Latin stars Alejandro Toledo’s Full Attack Band.

On Friday night (10th) Appalachian hillbilly rockers Hayseed Dixie headline a great evening of international music. As well as the Dylan Tribute, Saturday also sees the return of festival favourites Show Of Hands plus diverse acclaimed and award-winning acts such as Vishten from Canada, Mawkin, The Teacups, rising Cornish stars Flats & Sharps and the Jackie Oates Trio. Sunday (12th) will be headlined by the wonderful Eddi Reader with support from the Conservatoire Folk Ensemble, Moulettes, The Jeremiahs, BBC Folk award winners Sam Kelly & The Lost Boys and much more.

There’s also a Southwell Slam poetry competition on the Sunday afternoon to find the Festival Bard for 2016. Budding writers, poets and performers should email Southwellslam@gmail.com to enter.

With five different music stages, great family entertainment, a fine mix of food and drink tents, a craft fair, a beer and cider festival plus pub sessions in town, the 10th Gate To Southwell is guaranteed to be an un-missable long Midlands weekend.

Visit the Gate To Southwell website for more details on festival events – www.gtsf.uk. Or book tickets via http://bit.ly/1TTMFlA

GATE TO SOUTHWELL 10th FESTIVAL FIREWORK PARTY PLUS NOTTINGHAM POP-UP GIG

May 12, 2016   //   by Michael Stevenson   //   News  //  No Comments

There’ll be an explosive start to the Gate To Southwell festival on Thursday June 9th. To celebrate the tenth birthday of the Midlands’ premier acoustic and roots event, there’s an evening of great music plus a firework display at the site near Southwell Racecourse. The fireworks, and free buses between Southwell and the festival site, have been sponsored by Gusto Homes/Becher’s Court, the new development on Southwell’s Burgage.

The opening night party features one of Ireland’s greatest traditional folk acts Kila headlining alongside Jim Moray and Sam Carter’s new band False Lights. Plus there’s the festival’s new “alternative stage” featuring diverse acts such as the Latin passion of Alejandro Toledo’s Full Attack Band, multi-instrumental harmonious four-piece The BeauBowBelles from London, Nottingham’s highly-rated rising indie sons Same Streets, and Glaswegian alt-country stars James Edwyn & The Borrowed Band.

“It promises to be a great start to the 10th birthday weekend,” says festival director Mike Kirrage. “We’ve come a long way since the first festival with less than 500 people attending. This year we’re expecting around 4000 visitors to Southwell over the four days and we’re increasingly attracting great artists from all over the world.”

Following Kila on Thursday, the festival continues with American hillbilly stars Hayseed Dixie headlining on Friday (10th) and English folk roots favourites Show of Hands making a welcome return on Saturday evening (11th). Scotland’s Eddi Reader will bring the tenth celebrations to an emotional and entertaining close on Sunday night (12th).

“We’re extremely grateful for the help we receive to make the festival run smoothly and be successful,” says Mike Kirrage. “There’s a lot of hard work behind the scenes from our committee, stewards and many other volunteers and we really value the support we get from the people and businesses of Southwell and the surrounding region. Long may it continue.”

With five different music stages, great family entertainment, plus the usual fine mix of food and drink tents, a craft fair, a beer and cider festival plus pub sessions in town, the 10th Gate To Southwell (June 9th-12th) is guaranteed to be an unmissable Midlands event.

*To help promote the 10th festival there’s an advance pop-up gig in Nottingham this Saturday night (May 14th) featuring the highly-entertaining Penny Black Remedy with support from Cheshire & The Cat. The venue is Spanky Van Dyke’s at 17 Goldsmith Street, Nottingham NG1 5JT. Doors open at 7.30pm. Tickets £10. Venue contact: 0115 924 3730.

HOMEGROWN TALENT JOIN INTERNATIONAL STARS AT 10th GATE TO SOUTHWELL FESTIVAL

Jan 8, 2016   //   by Michael Stevenson   //   News  //  No Comments

HOMEGROWN TALENT JOIN INTERNATIONAL STARS AT 10th GATE TO SOUTHWELL FESTIVAL JUNE 2016

A bright new wave of young English musical talent will shine at the 10th anniversary Gate To Southwell Festival next June.

Alongside multi-award-winning headline acts Hayseed Dixie, Show Of Hands, Scotland’s Eddi Reader and Ireland’s Kila, the Midlands’ premier acoustic and roots event will showcase eagerly-anticipated performances from acclaimed homegrown talent including young singer-songwriter Ange Hardy, rising bluegrass stars Flats & Sharps, the youthful acapella quartet The Teacups, Birmingham’s inspiring and entertaining Conservatoire Folk Ensemble (returning by popular demand) and, one of the most acclaimed acts of 2015, Sam Kelly & The Lost Boys.

Recently described as “absolutely brilliant” by Mike Harding, as a teenager Sam was a runner up on Britain’s Got Talent, losing out to Ashleigh and Pudsey the dog in 2012!! His presence in June, alongside diverse other bright young acts, will build on Gate to Southwell’s growing reputation for developing new talent. In previous years, The Young’uns and Greg Russell & Ciaran Algar have used the festival as a career springboard. In common with these two award winning acts Sam has great audience rapport, which will no doubt be boosted by Ciaran’s presence in his current band.

There’s also the “folk rock explosion” False Lights, a new band featuring award-winners Jim Moray and Sam Carter, who take the spirit of the Sixties and create fresh sounds somewhere between Fairport Convention, Radiohead and Queens Of The Stone Age. BBC folk radio DJ Mark Radcliffe described their 2015 debut LP ‘Salvor’ – recorded in deepest Lincolnshire – as “quite brilliant”. Jim’s sister, the singer and fiddler Jackie Oates – previously of the Unthanks and The Imagined Village – returns to Southwell with her trio, following the success of her own album ‘The Spyglass & The Herringbone’.

Further developing the festival’s international reputation for eclectic acoustic roots music, there are great names from much further afield. Following an autumn reconnaissance trip to Prince Edward Island, Canada, by two of the festival organizers, there are the first English appearances by the extraordinary French-Canadian multi-instrumental trio Vishtèn and the flame-haired country singer- songwriter and superb guitarist Meaghan Blanchard.

Plus, being flown in specially to headline at The Ukulele Festival of Great Britain, the following weekend, Southwell welcomes the bizarre Californian nine-piece act Ooks Of Hazzard whose covers of rock classics by Led Zeppelin, Bad Company and Lynyrd Skynyrd have brought the uke players “worldwide attention” (according to the LA Times).

Other acts already announced to appear at the tenth festival celebrations, which runs from Thursday 9th until Sunday 12th June 2016, include the popular trad-Irish-meets-Americana of Donegal’s The Henry Girls, the electrifying dance energy of Hérétique and the “charismatic psychedelic classical folk” of Brighton’s Moulettes.

Southwell Festival