Alongside international music artists such as Kate Rusby, Jon Boden, Daphne’s Flight, Blazin’ Fiddles, Le Vent Du Nord and BOC, there’s a feast of poetry and storytelling at this summer’s Gate To Southwell Festival.
Legendary punk poet and musician Attila The Stockbroker makes his first visit to the festival on Saturday June 10th. A radical force of nature and a self-confessed “sharp-tongued, high energy social surrealist”, Attila’s career was launched by Radio One DJ John Peel in the 1980s and, since then he’s performed over 3000 gigs, played every Glastonbury since 1983 and released over 50 collections of music and poetry.
Reaffirming the power of the spoken word, Les Barker is another great poet appearing at the festival, a former accountant who (in his own words) “became a professional idiot”. Appropriately Barker’s famous for doggerel and music such as ‘Up The Creek Without A Poodle’, ‘Daydream Retriever’ and ‘The War On Terrier’, but there’s a more serious side to work such as his folk opera ‘The Stones Of Callanish’ and songs recorded by Martin Carthy and Dave Swarbrick.
Alongside these established wordsmiths, Gate To Southwell is proudly committed to promoting the work of East Midlands poets. On Saturday June 10th there will be a Spoken Word Showcase featuring the rising stars of the Nottingham-based DIY Poets Collective. This will be followed on Sunday June 11th with The Southwell Slam – an open poetry and spoken word competition, for performers and writers of all ages and abilities, to find the Bard of the Gate To Southwell 2017.
For more Slam details contact Leanne Moden Southwellslam@gmail.com
This is your last chance to get tickets to this year’s festival at tier 1 prices. Right now you can save 20% on full price tickets, but by 1st March they’ll have gone!
Daphne’s Flight and Blazin’ Fiddles added to Bill.
In addition to Kate Rusby, the first lady of English folk, and Jon Boden, former frontman of Bellowhead, we have the legendary harmony supergroup Daphne’s Flight (first formed at the Cambridge Folk Festival in 1995) reuniting to appear at Southwell on the Saturday.
And also just confirmed, another celebrated group, the intoxicating Blazin’ Fiddles from Scotland. No other band has quite captured Scottish fiddle music’s variety, energy and sensitivity like Blazin’ Fiddles have – playing Thursday.
Also recently booked are award-winning Phillip Henry & Hannah Martin, a return for Ranagri, last here in 2015, all-female Wookalily, swing-folksters The BeauBowBelles, a rare chance to see Chris Sherburn & Denny Bartley, and leading the way on the Frontier stage, Rob Heron & the Tea Pad Orchestra, Sheelanigig and Dan
All this adds to the impressive international line-up already announced including BOC from Mallorca, Canadian bands Le Vent Du Nord and The East Pointers, Americans Chris Smither and The Ooks of Hazzard, and the last European tour of Australia’s Cloudstreet, as well as plenty of home grown talent, such as The Changing Room (Sam Kelly and Tanya Brittain), acclaimed duo Megson, traditional star Megan Henwood, performance poets Les Barker and Jason Maverick, newly-formed Hannah Sanders & Ben Savage, singer-songwriter Jack Harris, and Tyneside’s She Shanties.
Replacing Vin Garbutt on Thursday night – Scotland’s major fiddle enemble Blazin’ Fiddles will be entertaining the big top crowds on Thursday night. Always entertaining, with tightly interweaving instruments, frenetic playing and warming wit – we are honoured to have them for one of their small number of dates this year.
Unfortunately due to unforeseen circumstances Vin Garbutt can no longer play the Thursday of the festival.
We have major news of a replacement though….watch this space!
Punk poet Atilla the Stockbroker and Billy Bragg heiress Grace Petrie added to Gate to Southwell line-up
There’s a fantastic line-up of artists at this summer’s Gate To Southwell Festival (June 8th to 11th) in Nottinghamshire.
In addition to Kate Rusby, the first lady of English folk, and Jon Boden, former frontman of Bellowhead, there’s great array of international stars including BOC from Mallorca – who were sensational at the 2015 event – plus leading Canadian bands Le Vent Du Nord and The East Pointers. Adding to this treasure chest of fine music, the legendary harmony supergroup Daphne’s Flight (first formed at the Cambridge Folk Festival in 1995) are reuniting to appear at Southwell.
Early Bird tickets are selling fast ahead of price rises in March and Mike Kirrage, the festival director, reports that sales are already 30 per cent up on last year. “Our reputation really grows each year and the 2017 line-up has already captured the public’s imagination. Kate Rusby is a brilliant artist with a great following and who can forget that Jon and Bellowhead went down a storm here back in 2008.”
There’ll also be welcome returns for much-loved artists such as the Californian ukulele-toting Ooks Of Hazzard (their cover of Radiohead’s ‘Creep’ was one of the highlights of 2016), folk legend Vin Garbutt and the Glaswegian Americana of James Edwyn & The Borrowed Band.
Once again, there’ll be five venues for music at the Racecourse near Southwell over four days including the newly-named boundary-pushing Frontier Stage, which will welcome diverse talents such as pioneer punk poet Atilla The Stockbroker and the heiress to Billy Bragg, Leicester’s Grace Petrie, and the Robin Hood Energy Stage showcasing the best in traditional and contemporary folk music.
Adding to the great atmosphere at this most family-friendly of festivals – with activities including music workshops, ceilidhs, dance displays, a craft fair plus great food and drink outlets – the 2017 event will be hosting a Summer Of Love @ 50 celebration to mark fifty years since the US hippy movement in California broke through into the mainstream resulting in one of the most creative and memorable years in music history. Having led the house band for last year’s wonderful Dylan @ 75 tribute gig, the immensely-talented Jim Moray returns to Southwell for this flower-powered extravaganza.
Also on the entertainingly eclectic Gate To Southwell 2017 bill there’s Sam Kelly and Tanya Brittain’s new venture The Changing Room, American folk-blues guitar veteran Chris Smither, highly-acclaimed due Megson, flame-haired traditional star Megan Henwood, comedy veteran Les Barker, newly-formed double act Hannah Sanders & Ben Savage, Welsh singer-songwriter Jack Harris, Tyneside female vocal group She Shanties, and last chance to see Australia’s immensely popular harmony trio Cloudstreet on their farewell European tour, and much more.
It is with great sadness that we have to report the passing of one of the directors and founding members of the Gate to Southwell Festival,
Adrian Button, ‘Adey’ was well known and respected on the local roots music circuit, and a passionate, enthusiastic and talented musician. His favourite form of music was probably Irish, but his eclecticism knew no bounds! He was also a great spotter of talent, being the first to pick up on several acts who we subsequently booked, the Henry Girls being just one example. As well as being part of the artist selection committee, Adey also organised the concessions and was immensely popular with the traders.
We offer our sincere condolences to all his family.
He will be sorely missed.
Early Bird tickets are now on sale for 2017 at a discount of 20% on tier 3 tickets. When Early
British folk heroine Kate Rusby and former Bellowhead frontman Jon Boden are among the first headline acts announced to appear at the Gate To Southwell Festival next June, and reduced price tickets are now available.
Widely regarded as “the first lady of English folk music”, Kate Rusby is famous for her Mercury-nominated debut ‘Sleepless’, her acclaimed collection ‘The Girl Who Couldn’t Fly’ and her Xmas album ‘Sweet Bells’. From Penistone, near Barnsley, Kate’s latest album ‘Life In A Paper Boat’ has just been released.
Jon Boden is one of the most charismatic singers, composers, arrangers, fiddlers and multi-instrumentalists on the acoustic and roots music scene. Having fronted Bellowhead for 10 years, Jon is also well known for his work with John Spiers, his band The Remnant Kings and also Eliza Carthy’s Ratcatchers.
Also lined up for Britain’s most eclectic acoustic and roots music events, there’s internationally-renowned Canadian acts such as Le Vent Du Nord (who were a huge hit at the 2012 festival) and the East Pointers from Prince Edward Island, plus acclaimed Californian ukulele band the Ooks Of Hazzard (among the highlights of 2016 with their wonderful cover of Radiohead’s ‘Creep’) and popular English husband-and-wife folk duo Megson.
Further adding to the diverse magic of the festival, which runs from June 8th to 12th 2017, the immensely entertaining and danceable Mallorcan World music band BOC make a welcome return, having played their first gig outside Spain at Gate To Southwell back in 2015.
Following the great success of this year’s on-stage gathering to mark Bob Dylan’s 75th birthday – described as “one of those never to be forgotten festival events” by Folk Radio UK – Jim Moray will return to curate a flower-powered 50th anniversary celebration of 1967’s Summer Of Love, the original blooming of the American underground hippy movement.
If all this is not enough for roots music hungry fans, Gate To Southwell has also booked legendary American folk blues artist Chris Smither and the wittily-named Whitley Bay female collective She Shanties. These are just the first of over 50 artists booked for 2017 with negotiations underway to book more major acts soon.
Set in a superb rural site close to the lovely market town of Southwell in Nottinghamshire, the eleventh festival will showcase a mix of international acoustic and roots artists alongside local and up and coming talent, performing across four main undercover stages. With music workshops, dance displays and ceilidhs, street theatre and kids’ entertainment, great food outlets and a beer and cider festival, the Gate To Southwell 2017 is definitely a date for the diary. June 8th to 12th.
Advance tickets are on sale now via the website – www.gtsf.uk
HARD RAIN’S A-GONNA FALL – Saturday review by Len Brown
There have been many great moments at the Gate To Southwell Festival over the years but surely Saturday’s all-star teatime 75th birthday tribute to Bob Dylan was up there with the very best. With a top notch house band organized by Jim Moray of False Lights, most of the key players over the weekend took the stage to pay tribute to the Mozart of the Twentieth Century. Among them were Phil Beer and Steve Knightley of Show Of Hands (who contributed a fine version of ‘Senor’ from ‘Street Legal’) plus Meaghan Blanchard, The Henry Girls, Mick Ryan & Paul Downes, The Ooks Of Hazzard and Jackie Oates on classic tracks such as ‘It Ain’t Me Babe’ and ‘Blowing In The Wind’. A definite highlight was the Pete Morton-led ‘Like A Rolling Stone’, which galvanized festival goers into a suitably gruff, grizzled yet uplifting Bobcat singalong.
If Friday night had been a Southwell-style string-driven showcase of North American musicianship and showmanship (starring Blanchard, Ooks and Hayseed Dixies), Saturday seemed to be much more of a traditionally rain-soaked English love affair with roots music. Fresh from supporting the dearly departed Bellowhead, and proudly promoting their upcoming ‘The Ties That Bind’ collection, Mawkin remain one of the most talented live acts on the Brit Folk scene. Led by brothers Jamie and David Delarre, they warmed the damp crowd in the early evening Big Top with an upbeat mix of medieval music and gypsy jazz through to their entertaining 21st century celebration of inebriation, ‘Jolly Well Drunk’.
Formerly of the Unthanks and The Imagined Village, Jackie Oates last played Southwell back in 2009. So there was a really warm welcome for her, particularly following motherhood, her various BBC Folk Awards successes and the universal acclaim for her beautiful ‘The Spyglass & The Herringbone’ CD. Ten years on from her first solo album, she has onstage warmth and an easy presence, plus the rare ability to unite staunch traditional and more contemporary folk audiences with her perfect spring and summer vocals and fiddle playing.
Headlining the Big Top, Show Of Hands followed on perfectly from the Jackie Oates Trio, confirming their position as the most important English acoustic band on the festival circuit. With their latest ‘The Long Way Home’ recording and tracks like ‘The Gamekeeper’ they’ve returned to classic themes of love and loss, of war and exile, and their commemoration of the centenary of the Battle Of The Somme seemed poetically appropriate while the rain fell hard and the mud grew deep. While Steve Knightly remains one of the strongest front men and most affecting vocalists on the roots music scene, it increasingly feels as if Phil Beer should now be protected as a national treasure. Mourning Dave Swarbrick’s recent death, Beer is surely the finest fiddler South of the Scottish border.
Former Cornish buskers Flats & Sharps won many new fans with their good-looking brand of banjo-driven Bluegrass, fine vocals, and sharp Western gamblers-style suits and haircuts. Their ‘King Of My Mind’ CD is among the best of 2016 so far and ‘My Life’ perfectly represents their harmonic charms. But the musical finery on display stretched well beyond the main stage, with Northumbrian rising stars Gilded Thieves – who’ve been described as “a bespoke banquet of alt-folk” – beautifully led by vocalist Laura Alexa Jackets. Their biblical country song ‘Oh Sinner’ was one of the festival highlights.
Added to all this, on the outside dancefloor in the afternoon there was an incredibly diverse mix of dance sides such as the Koyuki Tribal Belly Dancers, the Convoy Irish Dance Company and the Kitchen Taps Appalachians, not to mention the other dozen or so colourful rappers and morrismen and women who’d graced the streets and pubs of Southwell en route to the festival.
Honorable musical mentions too for Isembard’s Wheel from Sheffield, one of the hits of the Barleycorn Stage, who looked remarkably clean-shaven for roots musicians and delivered poetic lyrics and contemporary folk sounds with the sartorial elegance of jolly highwaymen. And then there was Echo Town, arguably the most inventive and experimental double act appearing at Gate To Southwell 2016. Two brothers from Cornwall, they create a mesmerizing rhythmic soundscape in which folk and roots meet rock blues and reggae, often played on intense percussion, slide guitar and didgeridoos. In fact, one of the most memorable sights of Gate To Southwell 2016 was of several inebriated off-duty Morris dancers improvising like crazy to the late night Echo Town sound.
Never mind the weather, with so many workshops, great food, drink and craft stalls, plus fantastic kids entertainment from Dan The Hat, Johnny & The Raindrops and the ubiquitously funny Keith Donnelly, it often felt like there was too much going in this most eclectic circus.
After the tropical heat, fireworks and musical riches of Thursday night, the heavens above Nottinghamshire opened on Friday. A torrential downpour at high noon threatened the existence of the festival as both the Big Top and the New Stage suffered from flooding. Thankfully, several hours of great ground work by Mike Kirrage’s site crew (led by Simon Walker) of stewards plus lighting and sound staff managed to save the day. It was, literally, all hands to the pump before normal festival service was resumed by early evening.
As always, there was a tremendous variety of music across all four smaller tents, including the warmly upbeat singalong songs of Pete Morton, the Canadian traditional sounds of Vishten and the a-capella harmonies of The Teacups on the Folk Stage. In the Barleycorn, there was rising folk star and former Nottingham student Bella Gafney, who also performed with Bric-a-Brac, while on the flood-defying New Stage there were waves of exotic and extremely danceable sounds such as the gypsy jazz of Maniere Des Bohemiens, the thoroughly funky Cheshire & The Cat and the mad Balkan party ska-meets-swing of Mr Tea & The Minions.
But it was primarily an evening of excellent North American music in Southwell’s Big Top. Charismatic and confessional, the young Canadian country singer Meaghan Blanchard drew us into her solo songs that openly struggled to make sense of this world. All the way from Prince Edward Island, looking like a pre-Raphaelite painting come to life, she tackled failed relationships on tracks like ‘Broken Pieces’ and ‘Cry Cry Cry’ and she spoke warmly of her grandmother’s words of wisdom: there are only two kinds of people – movers & shakers and those who sit listening to sad country songs.
Then came to magnificent Ooks Of Hazzard, fronted by four fine ukulele masters who all looked like extras from that appropriately dark drama True Detective. Internationally famous for their great cover of MGMT’s ‘Kids” and string-driven interpretations of Led Zep and Lynryd Skynyrd, it was their brilliant version of Radiohead’s ‘Creep’ that stole the show tonight. (Their ‘Redneck Mother’ would come pretty close the following lunchtime!)
But Hayseed Dixie are hard to beat as a headline act. Whereas the Ooks are seated, look almost dignified (albeit in an outlaw-ish sort of way) and have the sardonic drawls of Southern gentlemen, the Hayseeds are as wild and frenzied as a box of mad Appalachian frogs. Never have eyes bulged so much or tongues been stuck out so often and so lewdly on a Southwell stage. Hilarious but slightly scary, their crazy repertoire, always played at breakneck speed, drifted from takes on Survivor’s ‘Eye Of The Tiger’ and Bob Marley’s ‘Redemption Song’ through to a fantastic badlands bluegrass version of Motorhead’s ‘Ace Of Spades’.
After the heavy rain had left the festival site distinctly moist and muddy, it seemed entirely appropriate that the Ooks Of Hazzard and Hayseed Dixie managed to transport us all to the sweaty swamps of the Southern States.
TENTH GATE TO SOUTHWELL OPENING NIGHT
THERE WAS A brilliant start to the tenth Gate To Southwell Festival; the opening night was lit up by a great firework display and an array of fine Irish, Scottish, Latin and local musicians.
Kicking off in the Barleycorn tent, Mansfield’s Jake Burns delivered a sweet-voiced selection of self-composed tracks and cover versions. His ‘California Bound’ EP harks back to the great singer-songwriters of the Sixites and his singing and guitar skills clearly chime with influences such as Simon & Garfunkel, Joni Mitchell and Ralph McTell.
On the Arts Council-funded New Stage – offering a less folksy, more open minded approach to acoustic and roots music – the early evening mood drifted from the multi-instrumental, gypsy-classical, salon sounds of The BeauBowBelles to the Glaswegian Americana of James Edwyn & The Borrowed Band. James Edwyn is a grizzly bear of a man with a very impressive beard, and his warm personality combined with the band’s alt-country sounds should surely guarantee far greater stages than Southwell in the future.
In the main tent, the folk rock revivalists and rejuvenators False Lights gave way to the impressive Irish-meets-World-Music of Kila. Eight strong and playing an extraordinary array of traditional instruments to create a mesmerizing sound, their Irish roots music builds in trancelike rhythms. A powerful and memorable performance, particularly after a few beers and ciders!
Elsewhere, Nottingham’s own lovable café blues/jazz chanteuse Tiger delivered a mature and beautiful set of her own love-and-loss songs, ably assisted by guitarist Milk. She also threw in great covers of George Michael and Johnny Cash to confirm her versatility. Eighteen years old and definitely going places.
The same should be said of local lads Same Streets who definitely shook up the New Stage. Their youthful and fresh rock & roll music is both exciting and invigorating. They look right, feel right and sound right; their own songs, delivered with passion by James Gooch and fired along by Seb McNish the drummer boy, sit comfortably alongside an excellent cover of the Velvets ‘Waiting For My Man’.
Bringing this magnificently eclectic first night to a finale, The Full Attack Band’s performance seemed to sum up Gate To Southwell’s booking policy perfectly. Refusing to accept any musical boundaries or borders, their Latin fusion of World, Jazz, Funk and even Afro-beat inspired some late night frenzied dancing. Led by the charismatic sax player Alejandro Toledo with exotic Asian singer, rapper and poet Fedzilla alongside him, the Full Attack Band could be one of the great successes on the festival circuit this summer.
All-in-all, this was a sparkling start to the tenth Gate To Southwell with three more days and nights of fine music and family entertainment to come in beautiful rural Nottinghamshire surroundings.
2017 Line up
The line-up so far:
Le Vent du Nord
The Changing Room (feat. Tanya Brittain & Sam Kelly)
The East Pointers
Attila the Stockbroker
The Ooks of Hazzard
Phillip Henry & Hannah Martin
Chris Sherburn & Denny Bartley
Hannah Sanders & Ben Savage
The Rubber Wellies
James Edwyn & the Borrowed Band
Alden Patterson & Dashwood
Idiot & Friend
Dana Immanuel & the Stolen Band
Rob Heron & the Tea Pad Orchestra
The Life & Times of the Brothers Hogg
Maniere Des Bohemiens
The Leen Valley Band
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